What can be cooked from squid: quick and tasty

As a schoolboy, he married his teacher, whom he divorced 15 years later.

Instead of an epigraph

... With the number 37, hop flies from me at the moment, -
And now - how cold it blew:
Under this figure, Pushkin guessed a duel for himself
And Mayakovsky lay down with his temple on the muzzle.
Let's linger on the number 37! God is treacherous -
He put the question bluntly: either - or!
Both Byron and Rimbaud lay at this turn, -
And the current ones somehow slipped through.
V. VYSOTSKY
"On fatal numbers and dates", 1971

On April 19, one of the most talented operators in our country, Yevgeny LAGRANZH, turned 37 years old. He went through many hot spots. Fearlessly filmed the war in Chechnya, Syria, Lebanon and Iraq, and died absurdly and accidentally - at the wheel of his favorite motorcycle. He skidded on a slippery road, and at high speed he crashed into a fence in front of the entrance to Rome's Leonardo da Vinci airport.

In Italy, Evgeny Lagrange has worked for the last few years at the bureau of the Russia-1 TV channel. It was he who covered the recent election of a new pope. He carelessly wrote on his Twitter page messages like: "And in the country of Vaticania it is raining heavily", "The nuns are frozen, they are going to dance!". And finally: "We are standing in the 300-meter line of journalists for the first press of the new pope."
Ten years ago, he filmed the beginning of the war in Iraq. The night when the invasion began, he spent on the roof of a skyscraper near the Iraqi-Kuwait border. He worked on live broadcasts - every half hour the film crew of Vesti went on the air. He was the only journalist who refused a bulletproof vest. At the reproaches of his colleagues he only waved his hand: "If I am destined to die, a bulletproof vest will not help!"

First woman

I met Eugene Lagrange about 15 years ago, when, on the instructions of the editorial board, I came to visit him. No, it was not his successes in cinematography that led me to him (then he had just graduated from VGIK), but an unusual love story. In the tenth grade, Zhenya fell madly in love with his teacher. He was 16, she was 30. Moreover, the woman was already growing up two daughters from a previous marriage. From Zhenya, she later gave birth to another - Nastenka.
Irina then did not hide that she did everything to make the high school student crazy about her:
- He was almost the most beautiful in the 11th grade, where I taught Russian language and literature. Kindness, tenderness, the ability to meet halfway emanated from him. Yes, I myself became the initiator of our novel. I even wrote a letter to Zhenya. Of course, it was half invented - it was necessary to somehow lure the boy. The letter said that our relationship with Zhenya is not only a teacher and a student. And that in the name of love for him, I am ready to renounce a lot ...

We met in secret. My daughters didn't pay much attention. True, towards the end of the school year, some suspicions arose. There were enough sidelong glances. But, believe me, it was not a whim of a 30-year-old lady, but a miracle granted to a few.
And here is what Eugene said then:
- It all started as primitive as, apparently, everyone else: after lessons she told all sorts of interesting stories, anecdotes. The conversational genre of an adult woman is certainly more diverse and richer. The craving for non-trivial communication turned into deeper feelings. At first, her experience was very important to me.

She is my first woman and first love.
I remember then I asked Lagrange the following question:
- Or can it happen that in 15 years, when Irina is over 50, you stop loving her?
“Better to live ten years with the woman you love,” Zhenya replied then, “than all your life with a doll. I'm not going to wonder what will happen next. I think everything will turn out well. I turned into an optimist.

The prediction came true

Having learned about the terrible tragedy, I called with words of condolences to Evgeny's father - the famous photojournalist Vladimir Lagrange.
- It is clear that my condition is now terrible, I just left the hospital, where I spent three weeks ... I can only say that having such a son is already happiness, - I heard a quiet voice. - He had an unusually touching attitude towards us, his parents. I spoke with a teacher at VGIK, and he confessed to me that this was his best student. Zhenya had a talent for creating a composition of the frame, because any operator will say, if there is no composition, the frame will disintegrate. At parting, his colleagues said that they even had a definition - "The point of Eugene Lagrange." It even sounds symbolic - to choose a point and put it. Now I am preparing an album in memory of my son, which I will call - "Point of Eugene Lagrange".
From Vladimir Rufinovich, I learned that Irina's marriage with Yevgeny still fell apart. True, not ten years later, as Zhenya himself predicted in his long-time interview, but 15 years later.

"Most essential in the" state of culture "I consider her complete absence "

"All that we have is the heritage of our ancestors, it was not created by us, these are perfumes and inscriptions on the coffins of centuries."

"If there is no Living God in a work of art, then it is pernicious and destructive"

Interview with philosopher and writer Dmitry Ogma

Ed .:There is nothing in the world that does not have a past. Today, the culture of Russian society carries in itself much of the culture of the Soviet period. How do you assess this legacy?

Dogma: I would not like to evaluate anything at all, to give an assessment, I would like us to return, in our consciousness and world outlook, outlook to that time, in our past, where we still understood and felt that not everything in the world can be assessed, assessed, presented to the market and sell. When we still understood that not everything in the world is for sale, that there is something that has no price in principle, by nature.
How do I relate to the Soviet "legacy"? This is exactly the way, as to the heritage in quotation marks, and at the same time I feel inexpressible bitterness and a feeling of loss, the loss of something inexpressibly important and life-giving. And the awareness of what happened to us, what happened, what we have lost, is not there yet. There are timid attempts and searches, I observe them, and this cannot but rejoice, but a steady movement towards revival has not yet been seen, and this is saddening. Now it is extremely difficult, without awareness and identification, to express your attitude to the co-period, after all, there was everything. But, in the end, we came to what we came to, to chaos, to complete destruction and betrayal, betrayal of our past, and our ancestors, and our culture and ourselves. Is the Soviets guilty of this? And so and no. Because the Bolsheviks came to power even when everything was going to hell. They, with incredible efforts, at the cost of unthinkable sacrifices, but were able to stop the chaos of decay, were able to slow down this process, but could not reverse it. And they laid, in addition, those destructive charges under our culture, national identity, which worked later. Today they have already been slandered, too, insolently boorish and cynical. The question is, what were their actions and motives, and to what extent were they aware of what they were doing? I think that their motives were good, and they did not realize much. They are sacrifices and altars and sacrifices. However, while there were positive moments, how important these fragments and flashes were for our Russian culture, which by that time had died in Bose, all this proletarian electroplating of an almost fresh corpse, this has yet to be investigated by someone. There is no growth, no vital activity, no function, no distant and attractive prospects, we no longer have our Russian culture, there is no future, there is no future.
And this is not just our tendency, remember what happened in those years around the world? A wave of revolutions, a wave of fascism swept across Europe, the entire world system collapsed, in terrible ulcers of degeneration, cynicism, decadence and other rot. Then came the first and second world wars, as a reaction, the struggle of systems for survival, the struggle against degeneration. And that turned out to be not enough, the degeneration virus was driven only deep inside, and frostbitten, but did not die. A wave of thaws began, Khrushchev, Prague spring, etc. and all this rot rushed to the surface like a fountain, and bloomed with a violent color, "the flowers of evil." This is what we are now seeing everywhere. The fact is that the Bolsheviks tried, but could not cope and reverse this process, neither in our country, nor in general in the socialist camp. And why this happened, we have yet to realize.

Ed .: According to the laws of systems, today the new Russian society is going through a period of structuring. The initial phase of this period is chaos. Do you think this phase has already been completed or is it still ongoing?

Dogma: In a globalized world, and Russia, having lost the Cold War, opened up as a system, completely collapsed, and as an independent system, a sovereign state, simply ceased to exist, became a colony of the "west", with control in Washington and London, what kind of Russian structuring can we talk now? These are illusions, "golden dream", these are technologies of "soft" control and technologies of "cold" conquest. Russia has a real chance only now, at the moment of reformatting the global system. Whether we will be able to defend for ourselves in these conditions at least some fraction of sovereignty, that is the question. Around this is the whole political game and fuss going on now. The global mafia, and local groups, cut and re-partition. What will we gain if our bandits, these children of the gateway, the courtyard punks, will be able to snatch something for their "common fund"? And so far, as regrettable as it is, there is no "new Russian society", it is a colloidal something, it is a diffracted rabble, a chaotic, amorphous mass that has no structure, no prospects, no integrity, no systemic, national education, no order in souls and heads. This is a rabble, not a society, and until we honestly begin to look reality in the eye, until we muster the courage and courage to understand and accept "as is," and not as one dreams, hopes and thinks, until then we will not become a society, Alas. The desire for national revival is our desire and our need, and we must finally begin to speak the truth, to ourselves, about ourselves and for ourselves. What can we change without awareness, without truth, without the courage to know and see?
Our "society" is sick with ideas, they, like putrid worms, eat away and decompose everything and everyone, multiply, diffract and destroy, atomize. And you need to live not according to ideas, but according to the commandments. And in our country, very few people already understand the difference between this. I even heard somewhere: "The Ideas of Christ", that's where the horror and chaos, in all its monstrosity. An idea is something not real, far-fetched and fantasized, an idea is the fruit of a wild fantasy, and a naughty mind. Ideas are an empty thing, something ethereal. Here they gathered, fantasized, composed, believed in it, ignited and rushed to embody in monstrous, unviable chimeras. Christ, for example, he did not invent anything, he just was himself, this is a phenomenon, an embodied future, this is a reality revealed to us from the future. Commandments, covenants, this is something real, and from reality, it is impossible to bequeath ideas and fantasies, to bequeath emptiness. Christ is not a fantasy hologram, the fruit of an inflamed mind, not Hollywood, this is a phenomenon, this is an embodiment, this is reality, this is a witness to oneself. The development of a society directed to the future is, first of all, the development of the person himself, and not the entourage, technology, make-up, ritual and decorations.

Ed .: What do you think is the most significant in the state of the culture of society today?

Dogma: The most essential in the "state of culture" I consider its complete absence, this very culture, ours, original, Russian, great. All that we have is all the heritage of our ancestors, this was not created by us, these are cultural monuments, these are spirits and inscriptions on the coffins of centuries, no matter how painful and bitter it may be to admit it. How long are we going to lie to ourselves? After all, a lie always leads to murder, to destruction, these are biblical truths, as old as this world itself. All we have now is the entertainment industry, in Russian and in Russian "format". This is not culture, why do we lie and hope weakly? Entertainment, idleness, this is not culture or creation. It is consumption, absorption and destruction. Between us, with tz. culture, and our past is a chasm that we did not bother to fill, why do we close our eyes to this? Why, hovering over the abyss, do we stubbornly refuse to notice this? We first need to stop lying to ourselves, come to our senses, and begin the reconstruction and revival of our national culture. First, we should build bridges over the abyss, and later, fill it all. After all, culture is something holistic, not fragments and scraps floating in the air. The heritage should have heirs, and these are the successors, ascetics, creators, doers, and not consumers, "doers" and burners.

Ed .: The civilized world has lived through the main part of the 20th century and this decade of the 21st century without any special achievements in the field of art compared to the 19th, 18th, 17th, 16th and 15th centuries. Is that so, or do you think otherwise?

Ed .: What, in your opinion, distinguishes the art of our period from past eras?

Dogma: The main difference is that we have already forgotten what "art" is, how it all began and why. We have already forgotten that if in a work of art there is nothing life-giving, life-giving, there is no Living God, then this is not a work and not art, it is an art and temptation, it is pernicious and destructive.
And fear. Some kind of unthinkable fear, which fell like a leaden, gloomy cloud on everyone and everything. Fear of being ridiculed in your innermost and quivering, fear of showing at least some light of the soul, showing at least something life-giving. Fear of going against public opinion built on habit and ritual. This is already some kind of black mass, with all the ensuing excrement.
Probably, there is something else, alive and real, surikovs and kuindzhi, it must be, since we are still alive, but we do not observe this. It is already clear to everyone that in order to exhibit now you need to be seized and persecuted (absorbed by the poison), scandalous, cynical and shocking.

Ed .: How would you like to see the development of Russian culture if we exclude all utopian options?

Dogma: Thank God, I still feel and understand what our Russian culture should be like. But so far, alas, I cannot predict anything. Culture is created by society, this concept is holistic, it is not done by one person and not by a group of associates. So far, alas, I do not see anything complete. So far, I see only individual, heroic personalities and separate, small groups of semi-impoverished resistance and guardians. And nothing more. I see calls for the unification of all those who still retain the will to resist and reason, I myself call for this, but there is no real progress so far. As long as we have only partisans and hotbeds of resistance, there is no united front.
It's good, of course, that there is at least something and someone is doing something, fighting, but how long will all this last? "The worst thing is that we are apart ..."
Our national, socio-cultural code, which had been created and crystallized for centuries, was destroyed. Unfortunately, the Bolsheviks did not understand either the role of culture in society, or how it is created. They believed that both culture and the Russian people are an inexhaustible resource that comes from nowhere. "The Russian people are great, powerful and inexhaustible ...", - often used to say, with sincere admiration, Stalin, what a bitter delusion! The Bolsheviks themselves, who grew up in a cultural environment, absorbed it intuitively, were struck by the virus of ideology and ideology, this is this kind of madness, albeit with good intentions. They became the saviors of the country, the state, and the destroyers of culture, national code and identity. And then the state collapsed ... Everything is natural, everything repeats itself, alas.
Let's remember that we, Russians, are still "someone". Who are we? Stupor and emptiness, no answer, a gaping abyss ...
We are Slavs, we are Aryans, we are a distinctive people, we are a Slavic-Aryan civilization, we are farmers and creators, not predators, thieves, bandits and consumers, we are not barbarians. We are "Workers of God", hard workers and farmers, deeply and hopelessly in love with our mother land, we are inseparable from her, our land. A Russian without Russia is no longer a Russian, a renegade, a cut-off piece, an unhappy and lonely person. We are not barbaric nomads, we are not cosmopolitans capable of living and being ourselves anywhere, where it is sweeter and warmer. Aryan, in direct translation from the Aryan, Proto-Slavic, means "pluzhnik". Those. a cultured man, a farmer and an inventor, not loosening his soil with a digging stick, but with a plow, in the sweat of his brow and the joy of his heart. And now our entire culture, our entire civilization is deeply rooted in our land, in love for ours, this very land, spring love, ringing with a crimson trill in these heavens, reaches for the Light. We are a deeply spiritual and peaceful people, this is reflected in everything, in our words, deeds, history, historical path, legends and songs, in our language. In our language, for example, the word "world" is as multifaceted and polysemantic-connected as our soul. This is the world of God, as space, and peace, as a way of existence without war and conflicts, and as an image of our sociality, we live "with the whole world", a specific and original community based on love, respect, conscience, truth, justice, mutual assistance , participation and conciliarity, this is basic, and it is in our soul and our genes. And this is not a "way of life", it is being itself, beingness, ours, special originality, it is not from an image, fantasy and an empty image, but from the soul, from existence. And we can be and live only this way, and nothing else, otherwise we will not be, we will disappear, we will cease to exist as a nation, as an identity, as a civilization and a people. We can only live the way we like. Not as nourishing, sweeter, more profitable and more comfortable, but as we like.
What else is there to say? We first need to remember this, our genetic code, so that it sounded in the soul, in the heart, stirred up inside, bubbled with a life-giving current in the veins, shone in our eyes. Then there will be a community, and everything will be, we will cope with everything only when we are united, when we are the whole world, when we are catholic. This is what I would like to see, the resurrection, enlightenment and revival of my, the Russian people, my country, my culture, and this is what I am doing, to the best of my ability.
The authorities have no time for culture, they do not understand what it is, these are very primitive characters, they perceive culture as a behavioral ritual, which means they will not help purposefully. So we should start talking about it, pay attention to it, start looking for and pushing young, talented and gifted authors to print. And remember that the artist is brought up by the cultural environment, and not by books, canvases and slogans on the walls. It means that we need to create such an environment, centers of culture, invite young people there, invest in them, find the strength in ourselves for this. Pushkin, this is "our everything", let's remember, received a unique education at the Lyceum, it was the pinnacle of our education in general for all centuries both before and after, and absorbed the spirit of the people and the life-giving spirit of the earth from his nanny, Arina Rodionovna. Who would Pushkin be without all this? Would there even be? But, for some reason, it has already become a practice in our country to believe that talent alone is enough, and education is a methodology and technology, and anyone can be a teacher, if only he can graduate from a pedagogical institute. The Lyceum of Pushkin is, first of all, people, a unique composition of teachers who created a cultural environment. Having recreated the Tsarskoye Selo Lyceum without these people, we will not create Pushkins, education is not training. Our land and our civilization will still give birth to the greatest talents and talents, we need to preserve and preserve them, let them grow and grow stronger in the cultural environment, and give them proper education.

Ed .: What names, in your opinion, characterize the culture of our period and what periodicals?

Dogma: I will not undertake to argue with editions, I do not see anything integral and definite, nothing systematic. My personal experience of dealing with publishing houses, with literary publishing houses, is a bitter experience. Again, so far I only see fighters, guerrilla and heroically, with dedication fighting for the preservation of the heritage, but I do not see producers, creators, creators, doers.
Alas, those who finished off, corrupted and destroyed our culture, perverts, moral monsters, psychopaths, sociopaths and degenerates, post-decadence, of the lowest kind, who got into publishing houses "by pull", flirting with the authorities, jesuitically perverting both ideology and ideals, and the most life-giving, they are still sitting there. These are semi-corpses, corrupted, moral and spiritual monsters and degenerates, who fiercely hate everything that is somehow alive, joyful and trembling, everything that is primordial and light in our soul. Cynically and putridly poisonously ridiculing any bright flashes, any quivering and enthusiastic manifestation, spewing its putrid poison into the very open soul, into the Russian, grace-filled primogeniture.
However, I do not have much experience in this matter, fortunately I have a wife who took on this onerous task - communication with publishers. But they want to "Look the author in the eye", which means savagely thinly vomit into his heart and soul with their rotten belch, and enjoy the effect. How, then, can young, quivering and lively seedlings break through through this deadly slime? To print abroad? But after all, they are there, partially moved out of here, and there they continue to spew their rotten rot at everything and everyone. There are also new publishing houses, but everything there is arranged on a commercial basis, they are not called upon to create, they derive profit from the created, according to the laws of the market. Have you ever seen a culture on the market? This is impossible, there is no place for culture in the market, there is a booth, debauchery, selling and fun. A book with my fairy tales, for example, wonderfully designed by amazing, kind and talented artists, has already withstood five reprints, this is a miracle, and this is an insignificant drop in the sea of ​​market, farce literature. One novel was published, and even then not entirely, and on the periphery, in periodicals, and for a long time. The author, a living author, a contemporary, exists in time, and writes for his contemporaries, for the sake of life, and not for the sake of a bronze statue on the grave. These are the problems; what is financed by the budget is still seized by "mushroom people", "cultural figures" who decompose everything and everyone and self-decompose. Commerce and culture are incompatible. There are network structures, but there is more journalism and historicity, which is also important, and pleases. For example, Platonov and his center, they find the possibility of a paper edition, Prokhanov does a lot, as he can, as he understands, but this is not fiction. Including if there are "names" and "phenomena", then we have not yet observed them, which is regrettable. There is popular print and market, consumer obscenity, and khamovism, languidly stylized as something significant and strainedly grandiose, and not more than that, alas.
"The harvest is plentiful, but the laborers are few" ...
The war is going on, it has not ended yet, and it was not we who started it, but "in war as in war", it is clear not to create yet.

Ed .: Thanks!

Dogma: Thanks also to you, your publishing house, the partisan detachment of enthusiasts and guardians for the fatherland, people and culture.

Having studied the meaning of the name Asya, it is easier to find the key to your own child or unfamiliar woman. The little girl is very sensitive, she takes any events too close to her heart. Parents must prepare their daughter for the harsh reality, you should not protect her from the gray everyday life, even if the child grows up in a wealthy family. It is necessary at an early age to give the girl the opportunity to solve her problems on her own, for example, misunderstandings with peers.

For many, the meaning of the name Asya for a girl is associated with tenderness and romance, because of this, mothers and grandmothers try to protect their beloved from life's difficulties. Do not pamper the baby too much, there is a high probability that a capricious egoist will grow out of her, and it will be very difficult to communicate with her.

In addition, the meaning of the name Asya for a child is associated with uncontrollable fantasies that accompany a refined person throughout her life. Classmates are impatiently waiting for the next ideas, the girl cannot come to terms with the gray everyday life, it is necessary to periodically immerse herself in a fairy tale.

The interpretation of the name reveals another trait that you must either accept or learn to fight - periodic whims. Education is of great importance, on which the behavior of the girl depends, the ability to behave in society. Parents must teach the girl to love and care, the ideal is a pet, the baby must understand that someone depends on her. Periodic stay in the team matters: in kindergarten, in preparatory classes, thus it will be easier to adapt at school.

This feminine name gives true pleasure to its owner, excluding strict treatment. The girl is distinguished by her ingenuity, she just needs to periodically give gifts, receiving a positive charge of energy from this. Endowed with creativity, often makes gifts with her own hands. Fashion is an integral part of the life of a creative person, the ability to dress stylishly is of paramount importance. Always looks flawless.

A creative person cannot imagine life without a hobby; collections of original trinkets adorn her room. Likes to read, especially attracted by love stories that allow you to immerse yourself in your own world. She enjoys visiting exhibitions and museums. Reacts painfully to the problems of loved ones, tries to do everything possible to help. Her trust is often used, thereby causing severe pain, especially in a new team. Own mistakes are the best lessons that make a girl stronger, teach her to understand people. He listens to the advice of his elders, responds adequately to criticism.

Love

Love in the life of a romantic person has a special meaning, for the sake of her chosen one she is ready for reckless actions. This "means" that there are no obstacles that a girl cannot overcome for the sake of her chosen one. Does not tolerate monotony, because of this, it often changes "objects of adoration", leaves painlessly. After parting, falls in love again. What matters is the variety that the partner must provide, otherwise the relationship is doomed.

It gives the impression of a defenseless, vulnerable person in need of support, attracts wealthy adult men like a magnet, but prefers peers before marriage.

A family

A reasonable and practical girl can get married early enough if she is really confident in her chosen one. The spouse may be much older, must ensure a dignified existence and a carefree life. A receptive woman will gladly give up her career and take up housekeeping, but this does not "mean" that she will allow herself to be used. Children and husband should help her in everything.

Creativity allows you to create an unusual home environment that will delight guests. A good hostess does not get tired of delighting loved ones with culinary delights, organizes original holidays that remain in the memory of the guests for a long time. The house has perfect cleanliness and a special atmosphere in which you can really relax and unwind. She is actively involved in raising children, does not spoil them, teaches them to save and enjoy life.

Cheating on a husband is a blow for a sensitive person, the indisputable dignity of a woman is boundless trust, and indisputable facts can become the basis for jealousy.

Business and career

An active and sensible girl does not spend a day idle, which means she regularly finds new hobbies. It is quite problematic for her to decide on the choice of profession. Can become a teacher, psychologist, doctor, economist or lawyer, in a word, specialties that require regular communication with people attract attention. The atmosphere in the team matters, the lack of mutual understanding with colleagues can cause dismissal.

For the rapid advancement of the career ladder, there is not enough confidence and courage, he prefers the "golden mean". There are inclinations of a leader, which he does not use until a certain age. Thanks to creative ideas, he instantly finds non-standard solutions that deserve encouragement from the management.

The origin of the name Asya

Before deciding on a choice, parents are interested in where it came from and whose name the child will bear. The origin of the name Asya has ancient Greek roots. The etymology is ambiguous, there are two main versions: the diminutive form of Asta or Anastasia. The history contains interesting facts about its owners. The secret of the name will allow you to decide on the choice of a talisman.

Characteristics of the name Asya

It should be noted that the characteristic of the name Asya allows you to form a general idea of ​​a person, it is necessary to take into account that both upbringing and society influence the personality, you should not make spontaneous decisions regarding the choice. Each has its pros and cons; perfect people do not exist. A serious attitude to life and trust in people is a virtue thanks to which the kopeck piece will confidently go through life and find real friends.

Several unpleasant situations will teach the girl to really look at life, to react with dignity to grievances, and, if necessary, to show character. Quickly converges with people, becomes the soul of the company, cheers up with original stories. Treasures childhood friendship.

The mystery of the name

• Stone - emerald, rock crystal, porphyry.
• The name day is the day corresponding to the name given at baptism, since it does not appear in the calendar.
• The horoscope or zodiac sign of the name is Gemini, Virgo.

Famous people

• Asya Malberstein is an accessory designer.
• Asya Emelyanova is a journalist.

Different languages

A laconic answer will be found by those who are interested in the translation of the name Asya - "city dweller" (Greek). Often there is a need for accurate information on how to translate into a foreign language, in order to freely visit another country or just out of curiosity - in Chinese - 阿斯卡爾. Ā Sī Kǎ Ěr; - in Japanese - Kaarizuka.

Name forms

• Full name is Asya.
• Derivatives, diminutive, abbreviated and other options - Asechka, Asenka, ICQ, Asyusha.
• Declination of the name - Asya, Asya.
• The church name in Orthodoxy is not listed in the Orthodox calendar, in most cases - Anastasia.

Often, television correspondents, appearing quite often with reports on the screen, arouse genuine interest in their person. At the same time, it is far from always possible to find interesting information about the biography or personal life of this category of journalists.

Asya Emelyanova, correspondent

In the reports from sunny Italy, the viewer can see a pretty, cheerful young blonde, whose reports are interesting, dynamic and relevant.

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We are talking about a journalist who is currently patronizing the VGTRK bureau in Rome. This is Asya Emelyanova, whose biography did not even get into Wikipedia. She prefers to talk about other people's fates and not talk about her own.

She told some interesting information about herself. She characterized her favorite work in numbers in this way:

• daily - 8 cups of espresso coffee;
• weekly - 7 topical stories;
• monthly - 31 days on a business trip;
• annually - up to three weeks of vacation, with good circumstances.

The TV correspondent spoke about her quite interestingly.
She considers it her task:

• be on the air, even if you don't have time;
• get an interview, even if it is not given;
• be in the right place, even if the plane is canceled.

The result of all this is a three-minute broadcast, which Asya called the most beloved, but the shortest part of journalism.

She really fearlessly goes to a variety of places where current events take place, tries to keep her finger on the pulse. Her reports are creative, sincerely emotional.

Asya Emelyanova, personal life

From the scant scraps of information on the Internet sites about the biography of the TV journalist, you can find out that she was born in Vologda in 1978, on September 4.

Asya Emelyanova opened up to a wide circle of viewers when she formed a tandem with such a rather bright and extraordinary personality as Evgeny Vladimirovich Lagrange.

This talented VGTRK cameraman has a large number of documentaries and reports from the Vatican, Italian, Greek, French, Spanish, Portuguese and Iraqi cities and villages. He visited hot spots in Chechnya, Iraq, Syria, Lebanon. Among the employees of the TV and radio company, an opinion was established about him as "a fearless, obsessed and spontaneous person."

In 2006, VGTRK's own correspondent in Italy Asya Emelyanova and the cameraman of the South European bureau of this company, E. V. Lagrange, united into a duet, which was often called one of the most workshops on Rossiya television.

The results of the creative union

Among Russian journalists, they were the first to transmit material from France from the L'Aquila earthquake (April 2009), from the crash site (January 2012), where the largest cruise passenger ship from the wrecked collided with the reefs.

On the basis of reports about this collision near the Mediterranean island of Giglio, the documentary film "The Course of the Titanic" was subsequently edited, where many remembered the emotional and exciting comments that Asya Emelyanova gave out.

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The viewer remembered the work of this tandem on covering the situation with the election of the new head of the Catholic Church in the Vatican (March 2013).

Death of a cameraman

The unexpected death of Eugene Lagrange in March 2013 came as a shock to many. Colleagues knew the talented operator as an avid motorcyclist.

On Friday, the 22nd, he went to meet his fifteen-year-old daughter Nastya, who was to fly to Italy by plane. His bike on the A91 highway from Rome to Fiumicino picked up speed and crashed into a fence in the area of ​​the last turn near the entrance to the Leonardo da Vinci terminal. Probably rainy Italian weather caused the road to be rather slippery.

They buried Evgeny Lagrange in Moscow After his death, Asya Emelyanova continued her fruitful work on one of our leading TV channels.

About gossip around a TV journalist

Having made such a lightning-fast career, Asya drew increased attention to her person. The Internet is full of, among other things, various dirty rumors, which various ill-wishers did not skimp on.

Some accused her of breaking up the Lagrange family, although the latter separated from his former wife, who was 14 years older, without her participation.

According to the journalist, they were connected only by the creative union. The same idea was confirmed by Yevgeny's father - the famous photojournalist Vladimir Rufinovich Lagrange.

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After the death of their son, in one of the interviews, he and his wife Nina Petrovna unanimously stated that the relationship between their son and Asya was purely creative. In the process of broadcasting, Asya was just beginning to think about the need to remove any angle, as she immediately saw that Yevgeny was already filming this.

Recently, a rumor has been circulating on the Internet that Asya became pregnant from an Italian burdened by his family in order to stay in this country. Someone is trying to accuse her of sympathizing with Ukrainian nationalists.

It is difficult to say what is the share of truth in these gossip, nevertheless, Emelyanova continues to work with dignity on a respected Russian channel.

As a rule, we are rarely interested in the personal life or biographies of correspondents and journalists, thanks to which we find out the latest news. And they themselves are more accustomed to talking about details in other people's destinies than in their own. However, the attractive blonde Asya Emelyanova attracted attention in the frame thanks to the sincere emotions that are always clearly manifested on her face, as well as the fact that she fearlessly goes even to the most dangerous parts of the planet to show the audience reliable information about what is happening. Personal life of Asya Emelyanova, needless to say, rarely becomes public knowledge.

The biography of Asya Emelyanova began on September 4, 1978. TV journalists call Vologda their hometown. What is strange is that practically nowhere on the network there is no reliable and verified biography of Asya Emelyanova. Only some scraps. It is only known that the greatest popularity (so to speak) came to the journalist after starting work in tandem with the incredibly talented cameraman Yevgeny Lagrange, whose passion for work and the associated courage, which he repeatedly showed in numerous hot spots where he managed to visit, won he also has the glory of a hero. Their collaboration began in 2006. Even now, Asya Emelyanova is the own correspondent of VGTRK Russia-1 in Italy. Naturally, such an extraordinary rise in the career of a young correspondent did not leave indifferent many ill-wishers, whom she earned for herself with this most successful career. Information defaming a girl often appears on the network, resembling dirty rumors in the form of presentation of the material. We do not undertake to repeat them, let alone analyze or understand their veracity. However, indicative is the fact that despite them Asya Emelyanova still represents one of the most respected Russian channels.

As for the personal life of Asya Emelyanova, the joint collaboration with Yevgeny Lagrange gave rise to rumors about their romance. Such information is even contained in Wikipedia. It is quite possible that such rumors had some basis under them, but now there will certainly not be a chance to find out about this for sure. Unfortunately, in March 2013, a talented operator crashed on a motorcycle. By the way, the father of the deceased cameraman denies any love affair between his son and a journalist whom Yevgeny Lagrange's parents knew personally. In their opinion, young people were connected only by work and friendship. Some time ago, information about Asya Emelyanova's personal life reappeared on the network. This time she is pregnant by a married Italian. And all for the sake of staying in Italy. Well, as they say, wait and see.