What can be cooked from squid: quick and tasty

GO MOZHO(1892-1978), Chinese thinker and writer. Born November 16, 1892 in the small town of Shawan, Leshan County, Sichuan Province, in the family of an impoverished landowner. Already in childhood, Guo Moruo showed a great interest in fine literature and knew by heart many poems of Chinese classics. After graduating from high school in Chengdu in 1912, Guo Moruo passed the entrance exams in June 1913 and was admitted to the High School in Tokyo, where he studied Japanese language... Later he moved to the School of Medicine. The years of study in Japan include his acquaintance with Western and Japanese culture, with the poetry of Gein and Goethe, with Schiller, Shakespeare, Ibsen. W. Whitman made a huge impression on him.

In 1919, the patriotic "May 4 Movement" in China brought new influences to Chinese literature. The beginning of the creative activity of Guo Moruo is also connected with the literary revolution. His first poems were published in the journal "Light of Science" (Shuden). In 1921, together with his fellow students in Japan, Guo Moruo created the famous literary group "Creativity" (Chuangzao she). The members of the group are united by rejection of social reality, revolutionary-romantic pathos, condemnation of utilitarianism in literature, worship of nature, the cult of suffering, the idea of ​​"self-expression of the soul." But, of course, these features only roughly characterized such different poets, prose writers, playwrights as Guo Moruo, Cheng Fangu, Yu Dafu, and others included in Creativity. Striving for a bright future was the most striking feature of Chinese progressive romanticism, and the poetry of Guo Moruo became its expression.

In the early 1920s, one after another in China, collections of poetry in a language close to the spoken were published, marking the beginning of a new era in the history of Chinese poetry. Goddesses immediately put forward Guo Moruo among the most popular authors, especially among young people. Goddesses(1921) is the most significant book of the May 4 Movement period and of all modern Chinese poetry. In it, the tendencies of the synthesis of the traditional and the innovative, the classical and the modern, the Chinese and the Western European, common for Chinese romantic poetry, were clearly manifested. Guo Moruo brought together epic and lyrics, poetry and prose. He introduced mythological plots and traditional images into the narrative, but often reinterpreted from the standpoint of modernity. Goddesses are distinguished by a variety of forms and rhythms unprecedented before in Chinese literature.

The central piece of the collection was plays in verse The second birth of the goddess and Nirvana Phoenix in which the main motive sounded confidence in the victory of the forces of reason and light.

In the next collection of poems Starry space reflected the disappointment that befell the author, caused by the terrible remoteness of the beautiful future and the confusion of a person who is detached from illusions. In 1925, Guo Moruo published an elegant and soulful collection of love lyrics Vase.

During the years of emigration, after the defeat of the revolution of 1925-1927, Guo Moruo devoted himself entirely to history and archeology, research of the monuments of ancient Chinese culture. In 1937-1945, during the war against Japan, Guo Moruo headed the All-China Association of Literary and Artists to repulse the enemy. A collection of poems belongs to this period (1938) The voice of war.

The author of many plays, mainly of historical content ( Wild plum flowers, Death of an innocent in the Xiang River, Three rebels) during the war creates new historical tragedies Tiger sign, Gao Jianli.

During the years of Resistance and during the Great Patriotic War The USSR against Nazi Germany in the poetry of Guo Moruo, the theme of the Soviet Union appears. In 1946 he publishes travel notes IN USSR.

After the proclamation of the People's Republic of China, he was involved in the work to create new culture the victorious people. In the 1950s, a number of his poetry collections appeared, among them Let all flowers bloom, - a name that turned into a slogan (Let a hundred flowers bloom, let a hundred schools compete), under which Mao Zedong proclaimed in 1957 a campaign to increase publicity and criticism "Baihua Yundong". The dominant theme in the poet's work is the theme of the struggle for peace. In 1951 he became a laureate of the International Lenin Prize "For the strengthening of peace among peoples." Since 1949 he is the President of the Academy of Sciences of the PRC.

In 1924 he began to move to the position of "revolutionary literature", which is reflected in the collection of poems "Qian Mao" ("Vanguard"), and in 1926-1927 he participated in civil war as the political commissar of the revolutionary troops. After the defeat of the revolution, he emigrated to Japan (1928-1937). There he mainly studied ancient history, writing and philosophy of China, while writing four volumes of memoirs about his life in literature and politics.

Returning to his homeland at the beginning of the war with Japan, Guo Mo-jo, with the assistance of the communists, held important posts in the political administration of the national. army, then became the representative. Cultural Affairs Committee in Chongqing, the country's temporary capital. In the beginning. 40s created six big ist. plays with a clear topical subtext, of which the most famous tragedy "Qu Yuan" about the great poet-patriot of antiquity. During the war years, he also published collections of poems "Zhan Sheng" ("Voices of War") and "Tiaotan" ("Tsika-dy"), as well as many works. in other genres. After Japan's surrender, he took part in the struggle for the democratization of China, against government terror. In 1948 he moved to the Liberated Areas.

In the PRC, Guo Mo-jo became one of the most prominent societies. figures, occupying the posts of representatives. All-China Association of Literature and Art Workers, President of the Academy of Sciences, member. leadership of the NPC and others, often spoke abroad. And yet, in the first period of the PRC, he published several more collections of poems, two ist. dramas ("Tsai Wen-tszi" and "Wu Tse-tian"), a lot of publicistic. and scientific works... However, in 1966, he publicly renounced everything written, approved the "cultural revolution," and became a member of the purged CPC leadership. And already at the very end of his life, he managed to “welcome the fall of the“ gang of four ”” (ie the top of the organizers of the “cultural revolution”).

Sources:
Guo Mo-jo. Selected works / Vstup. Art. and total. ed. N. Fedo-renko; note. V. Petrov. M., 1955; he is. Works: In 3 volumes / Comp., Total. ed. and entered. Art. N.T. Fedorenko. M., 1958; he is. Writings: Poems. Dramas. Stories and stories / Comp. and entered. Art. N. Fe-dorenko. M., 1990; he is. [Poems] // Poetry and prose of China of the twentieth century. About the past for the future: Sat. M., 2002.

Literature:
Zhelokhovtsev AN. Guo Mo-jo - "hero" or victim of the "cultural revolution"? // PDV. 1982, No. 1, p. 147-153; he is. On the assessment of the personality and creativity of Guo Mo-jo // IB. 1982, No. 3, p. 2, p. 350-380; he is. The last historical plays of Guo Mo-jo // III NK OGK. 1972, p. 437-445; Markova S.D. Guo Mo-jo - pioneer of new Chinese poetry and world culture // East-Russia-West: Historical and cultural studies. M., 2001, p. 461- 472; she is. Poetic creativity of Guo Mo-jo. M., 1961; Tikhvinsky S.L. My meetings with Go Mo-jo // PDV. 2002, No. 5, p. 143-147; he is. The first president of the Chinese Academy of Sciences // Vestn. RAS. 2002, vol. 72, no. 11, p. 1001-1007; Fedorenko N. T. Age of Guo Mo-jo // NNI. 1993, no. 4, p. 123-130; Tsybina E.A. The dramaturgy of Guo Mo-jo in the period of the anti-Japanese war. M., 1961; Guo Mo-jo zhu and xian mulu (Index of works and translations of Guo Mo-jo for 1949-1979). Shanghai, 1980; Guo Mo-jo yanjiu (Study of the life and work of Guo Mo-jo): In 3 volumes. Beijing, 1985-1987; Qin Chuan-yu. Guo Mo-jo pingzhuan (Critical biography of Guo Mo-jo). Chongqing, 1993; Zhang Yu-mao. Yangguang didai dy meng: Guo Mo-jo xinge yui fengge (Dream of a sunny land: The nature and style of creativity of Guo Mo-jo). Beijing, 1993; Roy D.T. Kuo Mo-jo: The Early Years. Cambr. (Mass.), 1971.

Art. publ .: Spiritual culture of China: encyclopedia: in 5 volumes / Ch. ed. M.L. Titarenko; Institute of the Far East. - M .: Vost. lit., 2006 -. T. 3. Literature. Language and writing / ed. M.L. Titarenko and others - 2008 .-- 855 p. S. 271-272.

Go Mo-jo

Philosophers of Ancient China ("Ten Critical Articles")

Translated from Chinese. General edition and afterword by N.T. Fedorenko
M .: Publishing house of foreign literature, 1961.- 738 p.
DJVU 11 Mb
Quality: scanned pages + text layer + table of contents
Russian language

The work of the famous Chinese scientist and historian of philosophy, President of the Chinese Academy of Sciences Guo Mo-jo, is directly related to his other work "The Bronze Age" (published in Moscow in 1959), which provides a deep analysis of the history and ideology of ancient China.
In a number of informative articles, the author critically evaluates traditional ideas about philosophy in ancient China and about ancient Chinese ideology and offers his own interpretation of some of it. important issues... Guo Mo-jo anapizes the philosophical teachings of ancient China: Confucianism, Moism, Taoism, Legalism, Nominalism. He shows the ideological struggle both between supporters of different teachings and between adherents of the same teaching, paying special attention to the struggle between materialism and idealism, revealing the naive materialistic and spontaneously dialectical views of the thinkers of ancient China.
The book is intended for historians of philosophy, historians, literary scholars and anyone interested in the history of Chinese culture.

Content

I. About the mistakes I made in the study of ancient society.
II. Criticism of Confucius and Mo Dee.
III. Criticism of the Eight Confucian Schools.
IV. Criticism of the Huang Lao group from Jixia.
V. Criticism of Chuang Tzu.
Vi. Criticism of Xun Tzu.
Vii. Criticism of the nominalists.
VIII. Criticism of the early legists
IX. Criticism of Han Fei-tzu.
X. Criticism of Lü Bu-wei and Qin Shi-huang.
Afterword.
After the afterword.
Shadows of the lizards
Afterword from the editor

GO MO-JO

Mo-jo (b. 16.11.1892, Cape Shawan, Leshan County, Sichuan Province), Chinese scientist, historian, writer. Coming from a landowner family. In 1923 he graduated from the medical faculty of Kyushu University (Japan). Participant in the Revolution of 1925-27 in China. In 1928-37 he lived in exile in Japan, where he studied ancient Chinese history. During the anti-Japanese war 1937-45 he was in political work in armed forces Kuomintang government. Since 1949, President of the Academy of Sciences of China, since 1954, Deputy Chairman of the Standing Committee of the National Congress of Party Representatives. In April 1969, at the 9th CPC Congress, a member of the CPC Central Committee was elected. Published since 1919. Was one of the organizers and leaders (1921) of the literary society "Creativity" and the "All-China Association of Literary and Artists to Resist the Enemy." Early poetry is represented by the collections Goddesses (1921) and Star Space (1923), which are characterized by anti-feudal sentiments and revolutionary romanticism. Poems of subsequent years were included in the collections "Vase" (1927), "Return" (1928), "Voice of War" (1938) and "Cicada" (1948). After the formation of the PRC (1949), the anthem to New China (1953) and Let All Flowers Blossom (1958) were published. Plays by G.M.-zh. written on historical and patriotic themes ("Tiger Sign", 1942, etc.). In the works of G.M.-zh. in history, a large place is given to the question of the existence of a slave-owning society in China, deciphering and interpretation of various ancient inscriptions. Critical, journalistic articles and memoirs of G.M.-zh. were included in the books "Today and Tomorrow" (1949), "Boiling" (1950), "Song of the Raging Wave" (1959), "Travel Notes about the USSR" (1946). Translated into Chinese"German Ideology" by K. Marx and F. Engels, "To the Critique of Political Economy" by K. Marx, part of "War and Peace" by L. N. Tolstoy, "Faust" by JV Goethe; he was the first to translate the poems of V.V. Mayakovsky and other Soviet poets.

Cit .: Mo jo wenji, t. 1-8, Beijing, 1957-59; Zhongguo gudai shehui yanju, 2nd ed., Beijing, 1954; Jiagu wenzi yanju, 2nd ed., Beijing, 1954; Jinwen Tsunkao, Beijing, 1954; Wenshi Lunji, Beijing, 1961; in Russian per. - Works, t. 1-3, M., 1958; The era of the slave system, M., 1956; Bronze Age, M., 1959; Philosophers of Ancient China (Ten Critical Articles), M., 1961.

Lit .: Fedorenko N.T., Chinese literature, M., 1956; Markova S. D., Poetic creativity of Guo Mo-jo, M., 1961; Tsybina E.A., The dramaturgy of Guo Mo-jo during the anti-Japanese war (1937-1945), M., 1961.

L. I. Duman, S. D. Markova.

Great Soviet Encyclopedia, TSB. 2012

See also the interpretations, synonyms, meanings of the word and what GO MO-JO is in Russian in dictionaries, encyclopedias and reference books:

• GO in Encyclopedia Japan from A to Z:
  - board game. It is played by two players, a board with 19 vertical and 19 ...
• MO
  
• ZHO in the Big Encyclopedic Dictionary:
  
• GO in the Big Encyclopedic Dictionary:
  
• GO v Encyclopedic Dictionary Brockhaus and Euphron:
  a game widespread among the Japanese; invented by the Chinese two thousand centuries BC. and became the favorite national game in Japan. ...
• GO in the Modern Encyclopedic Dictionary:
  
• GO
  game of two partners with lenticular checkers on a square board (goban). It originated in Ancient China about 4 thousand years ago. The most common ...
• GO in the Encyclopedic Dictionary:
  unsl., p. Playing with black and white stones (circles) on a board crossed by horizontal and vertical lines at 361 points. | G. …
• GO in the Encyclopedic Dictionary:
  , unsl., cf. Playing with black and white stones (circles) on a board crossed by horizontal and vertical lines at 361 points. Competitions …
• MO
  CI, see Mo-tzu ...
• MO in the Big Russian Encyclopedic Dictionary:
  used in some countries, the name of the unit of electric. conductivity equal to the conductivity of a conductor with a resistance of 1 Ohm, i.e. mo = Ohm -1. Common name ...
• GO in the Big Russian Encyclopedic Dictionary:
  SI (c. 1020 - c. 1090), China. painter and art theorist. Majesties. monochrome mountain landscapes ("Village on high mountain") completed ...
• GO in the Big Russian Encyclopedic Dictionary:
  MOZHO (1892-1978), whale. historian, writer. Prez. Academy of Sciences of China (since 1949). Main tr. about dr. China. Poems, novels, ...
• GO in the Big Russian Encyclopedic Dictionary:
  the game of two partners with lenticular checkers on a square board (goban). Originated in Dr. China approx. 4 thousand years ago. Naib. distributed ...
• GO
  Dr. Chinese ...
• GO in the Dictionary for solving and compiling scanwords:
  Oval ...
• MO
• GO in the dictionary of Synonyms of the Russian language.
• GO in the New explanatory and derivational dictionary of the Russian language by Efremova:
  
• GO
  go, unsl., p. ...
• GO in the Dictionary of the Russian language Lopatin:
  [ge`o], unsl., f. (abbr .: civil ...
• GO
  GO [geo], neskl., F. (abbr .: civil ...
• GO in the Complete Spelling Dictionary of the Russian Language:
  go, unsl., p. ...
• GO in the Spelling Dictionary:
  go, unsl., p. ...
• GO in the Spelling Dictionary:
  go [ge`o], unsl., f. (abbr .: civil ...
• GO in the Ozhegov Russian Language Dictionary:
  playing with black and white stones (circles) on a board crossed by horizontal and vertical lines at 361 points Competitions in ...
• GO in Dahl's Dictionary:
  more use. with repetition, gogo, gogo, with an aspirated pronunciation of the letter g; int. amazement, wow, wow; sometimes a simple call, aho, ...
• MO
  used in some countries, the name of the unit of electrical conductivity, equal to the conductivity of a conductor with a resistance of 1 Ohm, i.e. Mo = Ohm-1. Common ...
• ZHO in the Modern Explanatory Dictionary, TSB:
  the mythical tree of the ancient Chinese; grows in the west near the city of Kunlun and takes over the setting ...
• GO in the Modern Explanatory Dictionary, TSB:
  game of two partners with lenticular checkers on a square board (goban). Originated in Dr. China approx. 4 thousand years ago. The most common ...
• GO in the Explanatory Dictionary of Efremova:
  int. 1) decomp. Control. when indicating the cry of geese (usually with repetition). 2) transfer. ramp-down Control. when referring to loud, rude laughter ...
• GO in the New Dictionary of the Russian Language by Efremova:
  int. 1.dep. Used to indicate the cry of geese (usually with repetition). 2. transfer. ramp-down Used to indicate loud, rude laughter ...
• GO in the Big Modern Explanatory Dictionary of the Russian Language:
  I uncl. f. A popular board game for two partners originating in China and widely spread in Japan, the purpose of which ...
• ZHO (ZHOMU) in the Handbook of Miracles, Unusual Phenomena, UFOs and more:
  in ancient Chinese myths, a sacred tree growing near Mount Kunlun, between the Black and Green rivers in western China. According to legend, a tree ...
• CREBILLON (SON), CLAUDE PROSPER JO-LIO in Dates of birth and death of famous people:
  (1707-1777) - French ...
• GU-MO-JO in the Literary Encyclopedia:
  one of the most talented contemporary young writers and poets in China. Originally from the Sy-Chuan province. Founded in 1922 together with Yu-Da-fu ...
• EVDOKIMOV, MIKHAIL SERGEEVICH in the Wiki Quote:
  Data: 2009-06-08 Time: 15:11:39 Evdokimov, Mikhail Sergeevich - (December 6, 1957 - August 7, 2005) - ...
• BRILLIANT HAND in the Wiki Quote:
  Data: 2009-06-24 Time: 10:33:05 * - Let's knock marge? - Let's go! * - Ch-Yo-R-T Po-Bye-Ri! * - Croc es kusto benshlak ...
• ANATOLY DMITRIEVICH PAPANOV in the Wiki Quote:
  Data: 2009-06-10 Time: 13:14:17 * I see the unity of creativity in the art of theater, cinema, television, stage. Four muses, and you are one ... ...
• BERENGARIA II in the Handbook of Characters and Cult Objects of Greek Mythology:
  The king of Italy in 950-962945, he heard that in Italy many people were dissatisfied with Hugo, he recruited an army from the Germans and went over ...
• ORGANIZATION OF ABU NIDAL in the Historical Handbook of Terrorism and Terrorists:
  (Fatah Revolutionary Council, Arab Revolutionary Council, Arab Revolutionary Brigades, Black September, Revolutionary Organization of Socialist Muslims) - OAN. One of the most dangerous ...
• BERENGARIA II in the biographies of the Monarchs:
  King of Italy in 950-962 Berengarius, Margrave of Hebrew, enjoyed great influence in Lombardy. King Hugo, fearing his intrigues, wanted to kill ...
• INTERNATIONAL ASSOCIATION OF REVOLUTIONARY WRITERS in the Literary Encyclopedia:
  [The IORP, formerly the International Bureau of Revolutionary Literature] is an organization uniting the proletarian and revolutionary literary forces of the whole world. According to this …
• CHINESE LITERATURE in the Literary Encyclopedia.
• THE USSR. BIOGRAPHIC REFERENCES
  References Alekseevsky Evgeny Evgenievich (b. 1906), Minister of Land Reclamation and Water Management of the USSR since 1965, Hero of Socialist Labor (1976). Member of the CPSU with ...
• CHINESE ACADEMY OF SCIENCES in the Great Soviet Encyclopedia, TSB:
  The Academy of Sciences (CAS), the Academy of Sciences of the PRC, the highest scientific institution of the country, coordinating research in all branches of science, as well as leading many ...
• CHINA in the Great Soviet Encyclopedia, TSB.
• Yin in the Great Soviet Encyclopedia, TSB:
  or Shang, the name of the first reliable era in the history of the Chinese people and the early state in China (16-11 centuries BC). The last ...
• MILITARY RANKS in the Great Soviet Encyclopedia, TSB:
  military, ranks personally assigned to each serviceman and conscript of the armed forces in accordance with their official position, military or special training, ...

Go Mo-jo(b. 16.11.1892, Cape Shawan, Leshan County, Sichuan Province), Chinese scientist, historian, writer. Coming from a landowner family. In 1923 he graduated from the medical faculty of Kyushu University (Japan). Participant Revolution of 1925-27 in China ... In 1928-37 he lived in exile in Japan, where he studied ancient Chinese history. During the anti-Japanese war of 1937-45, he was in political work in the armed forces of the Kuomintang government. Since 1949, President of the Academy of Sciences of China, since 1954, Deputy Chairman of the Standing Committee of the National Congress of Party Representatives. In April 1969, at the 9th CPC Congress, a member of the CPC Central Committee was elected. Published since 1919. Was one of the organizers and leaders (1921) of the literary society "Tvorchestvo" and the "All-China Association of Literary and Artists to Resist the Enemy." Early poetry is represented by the collections Goddesses (1921) and Star Space (1923), which are characterized by anti-feudal sentiments and revolutionary romanticism. Poems of subsequent years were included in the collections "Vase" (1927), "Return" (1928), "Voice of War" (1938) and "Cicada" (1948). After the formation of the PRC (1949), the anthem to New China (1953) and Let All Flowers Blossom (1958) were published. Plays by G.M.-zh. written on historical and patriotic themes ("Tiger Sign", 1942, etc.). In the works of G.M.-zh. in history, a large place is given to the question of the existence of a slave-owning society in China, deciphering and interpretation of various ancient inscriptions. Critical, journalistic articles and memoirs of G.M.-zh. were included in the books "Today and Tomorrow" (1949), "Boiling" (1950), "Song of the Raging Wave" (1959), "Travel Notes about the USSR" (1946). He translated into Chinese the German Ideology by K. Marx and F. Engels, To the Critique of Political Economy by K. Marx, a part of War and Peace by L. N. Tolstoy, Faust by I. V. Goethe; he was the first to translate poems by V.V. Mayakovsky and other Soviet poets.

Cit .: Mo jo wenji, t. 1-8, Beijing, 1957-59; Zhongguo gudai shehui yanju, 2nd ed., Beijing, 1954; Jiagu wenzi yanju, 2nd ed., Beijing, 1954; Jinwen Tsunkao, Beijing, 1954; Wenshi Lunji, Beijing, 1961; in Russian per. - Works, t. 1-3, M., 1958; The era of the slave system, M., 1956; Bronze Age, M., 1959; Philosophers of Ancient China (Ten Critical Articles), M., 1961.

Lit .: Fedorenko N. T., Chinese literature, M., 1956; Markova S. D., Poetic creativity of Guo Mo-jo, M., 1961; Tsybina E.A., The dramaturgy of Guo Mo-jo during the anti-Japanese war (1937-1945), M., 1961.

L.I.Duman, S.D. Markova.